Born in 1968 in Kagoshima and currently lives and works in Shiga. He graduated with a major in lacquer(Japan) from the Craft Division of the Kyoto City University of Arts and attended the International Academy of Media Arts and Sciences in Gifu Prefecture. Solo exhibitions include “A Lover from Korea” in 2003 (NPO for the Tanba Manganese Memorial), “TAKAMINE Tadasu ‘BIG REST’ Gardening for the Future 1095㎡” in 2008 (Sendai Mediateque), “The SUPERCAPACITORS” in 2010 (Marugame Genichiro-Inokuma Museum of Contemporary Art), and “Good House, Nice Body” (21st Century Museum of Contemporary Art, Kanazawa, Long-term Project Room). He participated in the 2003 Venice Biennale, the 2004 Busan Biennale, the 2005 Yokohama Triennale, the 2010 Aichi Triennale as well as a number of international exhibitions and many group exhibitions both domestically and abroad. His collaborations with dance and theater are many. From 1993 to 1997, he was active as a performer for Dumb Type, and he has worked on scenery and stage images for director and coreographer Kanamori Jo / Terada Misako. He has also collaborated with musician Otomo Yoshihide. In recent years, he is active as a stage director, and present stage performances.
Exhibition includes Takamine’s recent works in 2000s. Additionally, he has created new installation, during his residency at Yokohama.
God Bless America
2002
video (8’18”)
※This is planned to be shown in this exhibition.
This video work created using clay animation was motivated by criticism of the US war in Afghanistan following the 9-11 attacks. A large sculpture made from two tons of clay moves and appears to sing “God bless America.” The statue is presented in contrast to the human figures struggling to move it.
Kagoshima Esperanto
2005
video installation (mixed media)
This work was entered into the second Yokohama Triennale in 2005. Soil was spread throughout a large space and a variety of objects were installed. The result was a video installation, in which characters and images written into the earth reflected the dialect of Kagoshima and the international language Esperanto. By juxtaposing the dialect of his home prefecture with an artificially created language, Takamine abstractly expressed issues of globalism and localism.
Big Stop
2008
Installation view at the Sendai Mediateque
Japanese Modern Art / 200Q
2009
vinyl sheet/LED/computer
Free House
2010
Installation view at the Aomori Contemporary Art Centre