{"id":454,"date":"2025-09-26T09:55:00","date_gmt":"2025-09-26T00:55:00","guid":{"rendered":"https:\/\/yokohama.art.museum\/?page_id=454"},"modified":"2026-03-24T11:12:41","modified_gmt":"2026-03-24T02:12:41","slug":"exhibition-schedule","status":"publish","type":"page","link":"https:\/\/yokohama.art.museum\/eng\/exhibition-schedule\/","title":{"rendered":"Annual Exhibition Schedule"},"content":{"rendered":"<ul class=\"nav col2 blockPadding\">\r\n  <li ><a href=\"\/eng\/exhibition\/\" title=\"Current \/ Upcoming Exhibitions\">Current \/ Upcoming Exhibitions<\/a><\/li>\r\n  <li ><a href=\"\/eng\/exhibition-schedule\/\" title=\"Annual Exhibition Schedule\">Annual Exhibition Schedule<\/a><\/li>\r\n  <li ><a href=\"\/eng\/exhibition-past\/\" title=\"Past Exhibitions\">Past Exhibitions<\/a><\/li>\r\n  <li ><a href=\"\/eng\/exhibition-policies\/\" title=\"Exhibition Policies\">Exhibition Policies<\/a><\/li>\r\n  <li><a href=\"https:\/\/www.yokohamatriennale.jp\/english\/\" target=\"_blank\" title=\"Yokohama Triennale\" rel=\"noopener\">Yokohama Triennale<\/a><\/li>\r\n<\/ul>\r\n\n\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h1 class=\"wp-block-heading\"><strong><strong>Exhibition Schedule <strong>2026\u20132027<\/strong><\/strong><\/strong><\/h1>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Discover the exhibition lineup for fiscal year 2026 at the Yokohama Museum of Art below. Our upcoming season features a selection of special exhibitions alongside our ongoing collection series, which highlights the diversity of our collection. Additionally, our &#8220;Opening Dialogues&#8221; series continues to foster creative exchange by spotlighting the work of emerging artists in conversation with our collection.<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>*The exhibition schedule is subject to change without prior notice. Please check our exhibitions page for the latest information.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"heading-responsive\"><strong>Special Exhibitions<\/strong><\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><td><small>A Retrospective Commemorating the 110th Anniversary of the Artist\u2019s Death<\/small><br><strong>Imamura Shiko: <br class=\"is-sp\">A Revolutionary Innovator of Nihonga<\/strong><\/td><td>April 25 \u2013 June 28, 2026<\/td><\/tr><tr><td><small>A Homecoming Exhibition from Japan Pavilion of the 60th Venice Biennale<\/small><br><strong>Yuko Mohri: Recompose<\/strong><\/td><td>July 24 \u2013 November 23, 2026<br><\/td><\/tr><tr><td><strong>Marie Antoinette Style<\/strong><\/td><td>August 1  \u2013 November 23, 2026<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h5 class=\"wp-block-heading\"><small>A Retrospective Commemorating the 110th Anniversary of the Artist\u2019s Death<\/small><br>Imamura Shiko: A Revolutionary Innovator of Nihonga<\/h5>\n\n\n\n<p class=\"has-medium-font-size\"><strong>April 25 \u2013 June 28, 2026<\/strong><\/p>\n\n\n\n<div style=\"height:43px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>The painter Imamura Shiko (1880\u20131916) was active from the late Meiji era (1868\u20131912) through the early Taisho era (1912\u20131926). This is the first large-scale retrospective of his work in 42 years, and the first ever to be held at a public art museum. Shiko studied traditional Yamato-e, a Japanese painting style established during the Heian era (794\u20131185) and practiced continuously since, and at a young age demonstrated exceptional skill in history painting. He later set his sights on innovation in Nihonga (modern Japanese-style painting). Drawing inspiration from 17th-century Rimpa painters, particularly Tawaraya Sotatsu\u2019s free and fluid style, he also incorporated elements from Nanga (a style of Japanese landscape painting established in the mid-18th century and influenced by works from China\u2019s Jiangnan region) and Western Impressionism, developing a distinctive approach to landscape painting. His deliberate and determined brushwork, bold compositions, and vivid colors are exemplified in works such as &#8220;Scenes from the Tropics&#8221; and &#8220;Eight Views of Omi Province&#8221; (National Important Cultural Properties). This exhibition follows Imamura\u2019s dynamic creative path over the course of his brief 35 years, presenting approximately 180 works.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Organized by Yokohama Museum of Art, The Mainichi Newspapers, TBS GLOWDIA, INC., Kanagawa Shimbun, Television Kanagawa Inc.<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><a href=\"https:\/\/yokohama.art.museum\/eng\/exhibition\/202604_imamurashiko\/\" title=\"\">More detail<\/a><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:45%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"854\" height=\"800\" src=\"https:\/\/yokohama.art.museum\/eng\/wp-content\/uploads\/sites\/2\/2025\/12\/\u8b77\u82b1\u9234_\u53f3\u96bb\uff08\u53f3\u4e09\u6247\uff09_1M.jpg\" alt=\"\" class=\"wp-image-6344\" srcset=\"https:\/\/yokohama.art.museum\/eng\/wp-content\/uploads\/sites\/2\/2025\/12\/\u8b77\u82b1\u9234_\u53f3\u96bb\uff08\u53f3\u4e09\u6247\uff09_1M.jpg 854w, https:\/\/yokohama.art.museum\/eng\/wp-content\/uploads\/sites\/2\/2025\/12\/\u8b77\u82b1\u9234_\u53f3\u96bb\uff08\u53f3\u4e09\u6247\uff09_1M-300x281.jpg 300w, https:\/\/yokohama.art.museum\/eng\/wp-content\/uploads\/sites\/2\/2025\/12\/\u8b77\u82b1\u9234_\u53f3\u96bb\uff08\u53f3\u4e09\u6247\uff09_1M-768x719.jpg 768w\" sizes=\"auto, (max-width: 854px) 100vw, 854px\" \/><figcaption class=\"wp-element-caption\">Imamura Shiko, &#8220;Gokarei (Bird Repelling Bell)&#8221; (detail), 1911, Color on silk, pair of six-panel folding screens, 170.2\u00d7364.4 cm (each screen), Reiyukai Myoichi Collection<br>*On display from April 25 to May 8<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h5 class=\"wp-block-heading\"><small>A Homecoming Exhibition from Japan Pavilion of the 60th Venice Biennale<\/small><br>Yuko Mohri: Recompose<\/h5>\n\n\n\n<p class=\"has-medium-font-size\"><strong>July 24 \u2013 November 23, 2026<\/strong><\/p>\n\n\n\n<div style=\"height:43px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Yuko Mohri (b. 1980, Kanagawa) has made remarkable strides on the global art stage. Her solo exhibition \u201cCompose,\u201d which was presented in the Japan Pavilion at the 2024 Venice Biennale, generated a great deal of buzz will make a triumphant homecoming to Yokohama.<\/p>\n\n\n\n<p>A series of installation works that employ everyday items, organic materials, and other devices to create irregular movement, light, and sound. Don\u2019t miss this special opportunity to experience Mohri\u2019s \u201crecomposition\u201d of the Venice exhibition.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Organized by Yokohama Museum of Art, Melco Group Inc.<\/p>\n\n\n\n<div style=\"height:19px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:45%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1099\" height=\"785\" src=\"https:\/\/yokohama.art.museum\/eng\/wp-content\/uploads\/sites\/2\/2026\/03\/\u6bdb\u5229\u5c55\u753b\u50cf_s.jpg\" alt=\"\" class=\"wp-image-6489\" srcset=\"https:\/\/yokohama.art.museum\/eng\/wp-content\/uploads\/sites\/2\/2026\/03\/\u6bdb\u5229\u5c55\u753b\u50cf_s.jpg 1099w, https:\/\/yokohama.art.museum\/eng\/wp-content\/uploads\/sites\/2\/2026\/03\/\u6bdb\u5229\u5c55\u753b\u50cf_s-300x214.jpg 300w, https:\/\/yokohama.art.museum\/eng\/wp-content\/uploads\/sites\/2\/2026\/03\/\u6bdb\u5229\u5c55\u753b\u50cf_s-1024x731.jpg 1024w, https:\/\/yokohama.art.museum\/eng\/wp-content\/uploads\/sites\/2\/2026\/03\/\u6bdb\u5229\u5c55\u753b\u50cf_s-768x549.jpg 768w\" sizes=\"auto, (max-width: 1099px) 100vw, 1099px\" \/><figcaption class=\"wp-element-caption\">Yuko Mohri: Compose, Installation view, Japan Pavilion at the 60th International Art Exhibition \u2013 La Biennale di Venezia, 2024<br>Commissioner: The Japan Foundation, Photo: kugeyasuhide<br>Courtesy of the artist, Project Fulfill Art Space, mother\u2019s tankstation, Yutaka Kikutake Gallery, Tanya Bonakdar Gallery,<br>WHITE SPACE.<br><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h5 class=\"wp-block-heading\"><strong>Marie Antoinette Style<\/strong><\/h5>\n\n\n\n<p class=\"has-medium-font-size\"><strong><strong>August 1 \u2013 November 23, 2026<\/strong><\/strong><\/p>\n\n\n\n<div style=\"height:43px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Marie Antoinette (1755-1793) is known as the most fashionable queen in history.<\/p>\n\n\n\n<p>A style icon of her own time, the queen\u2019s attire and interiors have exerted a lasting influence on fashion, design, film, and other fields from the eighteenth century to the present day. Through dresses, jewelry, and furniture of the Marie Antoinette era, the exhibition examines the queen\u2019s wide-ranging stylistic innovations while considering the life of this complex figure. It also explores the timeless appeal of Marie Antoinette\u2019s style, and how and why it continues to be a constant source of inspiration for contemporary creators.<\/p>\n\n\n\n<p>This exhibition is part of an international touring exhibition curated by the Victoria and Albert Museum in London and will be shown exclusively in Japan at the Yokohama Museum of Art.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Organized by Yokohama Museum of Art, Victoria and Albert Museum, The Yomiuri Shimbun, Nippon Television Network Corporation<\/p>\n\n\n\n<p>Special Sponsor: Canon<\/p>\n\n\n\n<p>Sponsor: Dai Nippon Printing Co., Ltd. (DNP)\u3000<\/p>\n\n\n\n<div class=\"wp-block-columns logoblock is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column logocolumn is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:10%\">\n<figure class=\"wp-block-image size-large logoimg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"632\" src=\"https:\/\/yokohama.art.museum\/eng\/wp-content\/uploads\/sites\/2\/2025\/09\/VAM_Logo_Black-1024x632.png\" alt=\"\" class=\"wp-image-6017\" title=\"\" srcset=\"https:\/\/yokohama.art.museum\/eng\/wp-content\/uploads\/sites\/2\/2025\/09\/VAM_Logo_Black-1024x632.png 1024w, https:\/\/yokohama.art.museum\/eng\/wp-content\/uploads\/sites\/2\/2025\/09\/VAM_Logo_Black-300x185.png 300w, https:\/\/yokohama.art.museum\/eng\/wp-content\/uploads\/sites\/2\/2025\/09\/VAM_Logo_Black-768x474.png 768w, https:\/\/yokohama.art.museum\/eng\/wp-content\/uploads\/sites\/2\/2025\/09\/VAM_Logo_Black-1536x949.png 1536w, https:\/\/yokohama.art.museum\/eng\/wp-content\/uploads\/sites\/2\/2025\/09\/VAM_Logo_Black-2048x1265.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column logocopy is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:90%\">\n<p>Created by the V&amp;A \u2013 touring the world<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><a href=\"https:\/\/www.vam.ac.uk\/\" target=\"_blank\" rel=\"noopener\" title=\"\">Victoria and Albert Museum<\/a> <img decoding=\"async\" src=\"\/wp-content\/themes\/yokobi\/assets\/images\/common\/ico_otherlink.svg\"><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:45%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2676\" height=\"3524\" src=\"https:\/\/yokohama.art.museum\/eng\/wp-content\/uploads\/sites\/2\/2025\/09\/marie-antoinette.jpg\" alt=\"\" class=\"wp-image-6034\" srcset=\"https:\/\/yokohama.art.museum\/eng\/wp-content\/uploads\/sites\/2\/2025\/09\/marie-antoinette.jpg 2676w, https:\/\/yokohama.art.museum\/eng\/wp-content\/uploads\/sites\/2\/2025\/09\/marie-antoinette-228x300.jpg 228w, https:\/\/yokohama.art.museum\/eng\/wp-content\/uploads\/sites\/2\/2025\/09\/marie-antoinette-778x1024.jpg 778w, https:\/\/yokohama.art.museum\/eng\/wp-content\/uploads\/sites\/2\/2025\/09\/marie-antoinette-768x1011.jpg 768w, https:\/\/yokohama.art.museum\/eng\/wp-content\/uploads\/sites\/2\/2025\/09\/marie-antoinette-1166x1536.jpg 1166w, https:\/\/yokohama.art.museum\/eng\/wp-content\/uploads\/sites\/2\/2025\/09\/marie-antoinette-1555x2048.jpg 1555w\" sizes=\"auto, (max-width: 2676px) 100vw, 2676px\" \/><figcaption class=\"wp-element-caption\">Marie Antoinette in court dress<br>Fran\u00e7ois-Hubert Drouais, 1773, oil on canvas, 63.5\u00d752.0 cm<br>Collection of the Victoria and Albert Museum<br>\u00a9 Victoria and Albert Museum, London<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"heading-responsive\"><strong>Opening Dialogues<\/strong><\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><td><strong>Kamata Yusuke: A Vision for the Two Landscapes<\/strong><\/td><td>April 25 \u2013 June 28, 2026<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h5 class=\"wp-block-heading\">Kamata Yusuke: A Vision for the Two Landscapes<\/h5>\n\n\n\n<p class=\"has-medium-font-size\"><strong>April 25 \u2013 June 28, 2026<\/strong><\/p>\n\n\n\n<div style=\"height:43px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Opening Dialogues is an annual program in which we join emerging artists in considering the future potential of art and museums, and facilitate trial-and-error efforts. The second program will feature the artist Kamata Yusuke in 2026.<\/p>\n\n\n\n<p>Kamata Yusuke has investigated Japanese houses both in Japan and overseas, including in South Korea, Taiwan, the United States, and Brazil, and has presented architectural installations that foreground the complexities of society and culture.<\/p>\n\n\n\n<p>He will present installation works, shown in a solo exhibition format, that bring into view the multiple facets of Sankei\u2019s imagination, shaped by a life situated between Japanese tradition and global modernity.<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:45%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"723\" src=\"https:\/\/yokohama.art.museum\/eng\/wp-content\/uploads\/sites\/2\/2026\/03\/20260425_01\u938c\u7530\u5c55_1M.jpg\" alt=\"\" class=\"wp-image-6490\" srcset=\"https:\/\/yokohama.art.museum\/eng\/wp-content\/uploads\/sites\/2\/2026\/03\/20260425_01\u938c\u7530\u5c55_1M.jpg 1000w, https:\/\/yokohama.art.museum\/eng\/wp-content\/uploads\/sites\/2\/2026\/03\/20260425_01\u938c\u7530\u5c55_1M-300x217.jpg 300w, https:\/\/yokohama.art.museum\/eng\/wp-content\/uploads\/sites\/2\/2026\/03\/20260425_01\u938c\u7530\u5c55_1M-768x555.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Kamata Yusuke, Key visual for &#8220;A Vision for the Two Landscapes&#8221;<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"heading-responsive\"><strong>Collection Exhibitions<\/strong><\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><td>Yokohama Museum of Art 2026-2027 Collection Exhibition<\/td><td>April 25 \u2013 June 28, 2026<\/td><\/tr><tr><td>Yokohama Museum of Art 2026-2027 Collection Exhibition<\/td><td>August 1, 2026 \u2013 February 11, 2027<\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Exhibition Schedule 2026\u20132027 Discover the exhibition lineup for fiscal year 2026 at the Yokohama Museum of Ar [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":29,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-454","page","type-page","status-publish","hentry"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/yokohama.art.museum\/eng\/wp-json\/wp\/v2\/pages\/454","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yokohama.art.museum\/eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/yokohama.art.museum\/eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/yokohama.art.museum\/eng\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/yokohama.art.museum\/eng\/wp-json\/wp\/v2\/comments?post=454"}],"version-history":[{"count":76,"href":"https:\/\/yokohama.art.museum\/eng\/wp-json\/wp\/v2\/pages\/454\/revisions"}],"predecessor-version":[{"id":6572,"href":"https:\/\/yokohama.art.museum\/eng\/wp-json\/wp\/v2\/pages\/454\/revisions\/6572"}],"wp:attachment":[{"href":"https:\/\/yokohama.art.museum\/eng\/wp-json\/wp\/v2\/media?parent=454"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}